What volumes should my track faders be at?
The PTA go deep into discussing what to consider when you’re deciding what your volume faders should be at across your mix.
Inspired by a question from the Pro Tools Users community, there’s a lot to consider including gain staging, input levels, signal management across the mix… and also how Pro Tools 64bit FPU internal mixer architecture can mean that it all doesn’t matter!
But does no technical limitation trump good audio engineering technique?
